A full set of ready-to-run ads in three weeks.
One time or monthly, your choice. Fixed price, no retainer. You own the footage and every cut. No result is guaranteed.
Every clip here was cut for a feed, not trimmed down from a horizontal edit. Hover for what it was for and what it moved. Click to watch the whole thing.
Forty-five minutes. You leave with a shot list and hooks worth testing. Scripts approved and the shoot booked by day 7.
One session at your place. One camera, no crew, every hook in one block.
Every creative captioned and exported for each placement: vertical, square and horizontal. Hooks split out for testing.
Files plus a one-page testing plan: what to run first, what to spend, and when to call a winner. Campaign management is not part of the Sprint.
A tested batch of ads to find what makes your phone ring. Fresh concepts and variants, test-ready for your ad account.
Fixed-price production, bought one time or monthly, your choice, with no retainer attached. The Fifteen adds hook variants on top, not just seven more exports, and The Thirty carries that through at twice the volume. The price is quoted on the fit call, before anything is booked.
Enough to find out whether this works for you.
Enough variants to actually learn something from the test.
Enough creative to keep a busy ad account fed.
Fourteen days instead of twenty-one. You take the next slot on the calendar and your cut jumps the queue.
Ad spend is always yours: paid to the platforms directly, never marked up or held. Licensed-library music included. Quotes exclude ad spend, paid placements, talent, and travel outside Los Angeles or Tampa. Running the media is not included here; it is part of the monthly retainers. If your own agency already runs it, take any Sprint monthly as its creative supply. One time or monthly is your choice; neither is required.
Grand Jury Award at Gasparilla. Now streaming on Amazon, Apple TV and Tubi.
Just under half a million views and 294 reshares on a trailer cut in-house.
One upload, one share, zero paid spend.
A podcast and short-form engine across Instagram, YouTube and TikTok.
Short-form and documentary content for the attorney behind $3.1B+ in settlements.
Different job. Content keeps an audience warm. Ads have to stop a stranger and sell.
The planning happens before the camera comes out, and there is no crew to schedule around.
You found out for a fixed price, and you keep the footage and every cut. Nobody honest can promise a winner on a first set.
No. Plenty of strong ads are product-led or customer-led. We decide which on the Angle Call.
We work worldwide. Travel is quoted on the call before you commit, or we direct remotely and cut from footage shot on your end.
Not inside the Sprint. Paid media management is part of the monthly retainers.
Eight creatives, fifteen or thirty. The number you agreed is the number you get.
One time or monthly, fixed, quoted before anything is booked. There is no retainer attached.
The footage and every cut are yours. Nothing is held back as leverage.
Campaign management is not part of the Sprint. We are not offering a performance guarantee, a free reshoot or a refund, because no result is guaranteed. What is guaranteed is the scope, the price and the ownership.
Leave with a clear read on your ads, the package that fits, and the next open production window.