One day on location with you. A full set of ready-to-run ads, start to finish in under 14 days, shot to look like a real person instead of a commercial. Then you find out which ones bring in leads.
One time, fixed price, no retainer. If nothing we make outperforms your current content, your next shoot day is free.
Nearly every ad in your category was built the same way: staged, polished, and recognizable as an ad inside half a second. People have gotten very good at scrolling past those. What stops the scroll now is something that looks like somebody just filmed something real.
Every clip here was cut for a feed, not trimmed down from a horizontal edit. Hover for what it was for and what it moved. Click to watch the whole thing.
Forty-five minutes on what you sell, who says no and why, and what has already worked. You leave with a shot list and a set of hooks worth testing. Nothing gets shot before this is settled, and that is the whole reason this moves as fast as it does.
One day at your place. Me, a camera, and a light if the room needs it. No crew standing around, which is exactly why people stop performing and start sounding like themselves. We shoot every hook in one block.
Every creative built out, captioned, and exported for each placement. Vertical, square, and horizontal, with the hooks split out so you can test them against each other independently. Licensed music where a track helps and silence where it does not.
Files in your hands with a one-page testing plan: what to run first, what to spend, what to watch, and when to call a winner. Your first ads can be live the same day. Run them yourself or have us run them.
One time, fixed, no retainer attached. Same day on location, same turnaround either way. The only question is how much you want to walk away with.
Enough to find out whether this works for you.
Enough variants to actually learn something from the test.
The whole thing in seven days instead of fourteen. You take the next slot on the calendar and your cut jumps the queue in post. If we miss the date, you do not pay the priority fee.
Ad spend is separate and always yours: you pay Meta and Apple directly and we never mark up or hold your budget. Music from our licensed libraries is included. Prices exclude ad spend, paid media placements, talent, and travel outside Los Angeles or Tampa. Shoots happen on location at your business rather than in a studio, which is deliberate: it is what makes the footage read as real. Running the media is not included here and is available separately, or built into the monthly retainers if you decide to keep going.
Just under half a million views and 294 reshares on a trailer cut in-house. When the creative connects, the audience does the distribution for you.
One upload, one share, zero paid spend. The audience followed the film across platforms. The same hooks-first discipline goes into every ad we cut.
A podcast and short-form engine across Instagram, YouTube, and TikTok, built episode by episode around her voice, not a content calendar template.
Educational short-form and documentary-style content that turned the attorney behind $3.1B+ in settlements into a personal brand people actually follow.
Then you are most of the way there, and this is a different job. Content keeps an audience warm. Ads have to stop a stranger and sell them something, which is a separate craft with separate rules. Most content people were never asked to do it, and it is not a knock on them that it shows.
It is fast because the planning happens before anyone picks up a camera, and because there is no crew to schedule around. By the shoot day the hooks are written and the shot list is locked, so the day is execution instead of discovery. Most shops quote three weeks or more for the same thing. The speed comes out of the process, not out of the work.
Then your next shoot day is free. We are betting another full day of our time that at least one of these beats what you are running now, and that is a bet we would rather make than argue about.
No. Plenty of the strongest performers are product-led, customer-led, or built from footage with no founder in frame at all. If you do want to be the face, one person with a camera is about as painless as it gets, and it is a large part of why these come out sounding natural. The Angle Call is where we decide which version you are actually doing.
We work with clients worldwide. Travel outside Los Angeles or Tampa gets quoted on top, and we will tell you what it costs on the call before you commit to anything. For some businesses the better answer is a hybrid: we direct remotely and cut from footage shot on your end.
Not inside the Sprint. This gets you the creative and the plan to test it. If you would rather hand off the whole thing, we run Meta and Apple Maps as a monthly engagement, and most people make that call after they have seen what the first set does.
If nothing we make outperforms your current content, your next shoot day is free.
Not a partial refund and not a credit toward something else. Another full day on location and another full set of cuts, at no cost, until we get you a creative that beats your baseline. We can offer that because we would rather carry the risk than spend the call talking you out of it.
Book the call and we will tell you honestly whether this is the right move for you, which of the two sizes actually fits, and when we could get you on the calendar.
business@newterraincreative.com